Skip to main content

Slow down! Baby now you're moving way too fast

I am very happy to have had a busy November and December teaching in the Cabana de Salsa AKA the shed. From students who have been learning for a couple of years looking to improve technique to people wanting a crash course in salsa before a trip to Latin America, I've had the pleasure to work with old friends and some lovely new people. 

When I am teaching a lot of salsa, I find that a theme can emerge. The recurring theme this month has been slowing down. There are a few reasons why this is so difficult: 

  • It's exposing! Fast dancing can hide all manner of sins. When you are going slow, there is nowhere to hide. Every unconnected body movement and bit of sloppy technique is visible. Moving quickly requires good fitness, but moving slowly requires detail and precision 

  • It's tiring! When I dance basic step to long, slow track, and I really focus on filling the music, it is as mentally and physically tiring as three chaotic minutes of fast dancing.

  • It's more complicated! In the very first salsa lessons we are taught to stop on 4 & 8. In fact, we should be stepping through them slowly. So, our steps should be quick, quick, sloooow, not quick, quick, quick, stop. We often hang on to the things we are taught in those first lessons, but these are just simplified tools to introduce the basics. Before long you need to leave those first lessons behind and refine your basics. Most people don't have the same handwriting they had when they first picked up a pencil and wrote a, b, c. The letters will read the same, but they will not be the same shape. People learn how to write more fluidly and to develop their own style. I'm not sure whether this analogy works in 2024, but you know what I mean! It can also be applied to typing, driving, and to all physical skills we acquire and practice over time until they are second nature.

  • Dancing is exciting! The excitement can get into your body and make you faster and faster... but also more tense. You need to consciously calm yourself down sometimes. The more excited you are, the faster you will dance. 

  • There is a lot to think about when you're dancing. Ideally you don't want to be thinking about anything. It does get easier, but even if you've been dancing for decades, there will be demanding or scary dances when your brain goes into overdrive again. When your brain is going ten to the dozen, it is very hard to slow your body down. 

If you are leading, dancing too quickly will eventually pull the follower off time and you will both be lost. If you are following, it will cause you to pre-empt moves, which means you are no longer following. 

Some things you can do to get comfortable with slowing down: 

  1. Practice your basic step to slow tracks. You will learn how to fill the time
  2. Improve your body movement. This goes with tip 1. Body movement fills time with movement, so you're never still; your body is in continual fluid motion. Body movement comes out of our steps ... something for another post!  
  3. When you are social dancing, set an intention to stay calm by breathing and waiting - this is particularly useful for followers who should never think ahead. It's harder if you're leading, when you have to be conscious of what's next - but you can still use breath to calm down. 

As with so much in life, we all need to slow right down! Dance slow, homies. 

Comments

Popular posts from this blog

How well do you know your own body?

Bodies, words, and dancing ... these are a few of my favourite things  I was inspired to write this by a video that was shared online and you can see here . In it,  Anya Katsevman talks about focusing your dancing somewhere even more fundamental than your feet – inside your own body. She tells us to "dance from the inside out." She talks about how the words dance teachers use can only go so far in explaining what you need to do. Really, you need to know how your body feels and how it works. This resonated deeply with me.    I learnt salsa initially in Japan and my Japanese was pretty limited. This means that for a long time, salsa was non-linguistic for me. Maybe that’s part of what I loved about it. The rest of my life is all about words. As a language teacher and linguistics researcher, I am a very word-focused person. But salsa was something that was being explained to me in words I didn’t understand on any level, so I learnt it through feeling. I didn’t start te...

Microdosing MamboCity

I wrote this over two months ago but … life. There is no big message here. It is just about all the different ways I have tried to enjoy salsa congresses and finally finding the formula that works for me.    MamboCity is a congress I have been to many times over the years. I’ve been to many congresses over many years and, honestly, never truly enjoyed them. I have learnt a lot from them, been inspired, and had rare moments of magic. But I’ve never done my best dancing at them, and I have always found them a bit frustrating and even a bit disheartening. This is not because salsa congresses aren’t amazing; this is because of me!    My first congress My first congress was in 2010. My son was almost one year old, and I was leaving him for a whole weekend for the first time. I envisaged a weekend full of sleeping and dancing. I did neither a lot of sleeping nor a lot of dancing. I knew nothing of salsa congresses at the time! I was completely intimidated by the scale and ...

The five most important steps to a BRILLIANT BASIC

As I always say, there is nothing basic about the basic step. It is the basis of good dancing, but it can take years to refine and perfect. There are many elements to consider, but here are the main five:    1.          Weight change A step is a change of weight. Knowing this is even more important than knowing the timing. Almost everyone goes through a stage of pressing their feet to the floor and not changing weight, and some people add all kinds of extra weight changes because they are “dancing”.  Change your weight in the same way you do when you are walking, taking your body with you, and you have nailed step 1!    2.          Timing  In on1 dancing, this means changing weight (aka stepping) on 1,2,3 and 5,6,7 in an eight-beat count. At first, you need to focus on starting on the correct beat in the music, which is 1, and waiting on the 4 and 8. The sooner you can confident...